After a peaceful protest on Women’s Right and the Gulf States turned into a riot, Sheila loses the core of her faith. Instead of letting her become a hermit, Eddy shows up every Saturday at her doorstep dragging her back into the world. As their dynamic unfolds, the story examines the uneasy interplay between intention, dependency and the limits of intervention.

Through the work of Edward Hopper, Caroline Schillemans seeks to explore and find some sort of meaning behind the silence that pervades both in art and in the act of watching art.

‘We may not be children anymore, but don’t forget that we will always remain mom’s children.’ After watching Jeanne Dielman from Chantal Akerman, An-Katrien reflected on motherhood, unpaid labour and mundane routines.